Simple But Directed

Source: Contract, September 2010, pg. 50

The lighting used in this photo is amazingly simple…a series of canned and pendant lights. However, the effect of this lighting is magnificent. The beauty of this type of light is that it is minimal but directed. It creates a space that is more intriguing, some parts light and some parts dark. It allows for a more intimate connection, not necessarily because it is inviting and warm, but because of the contrast created and your instinctual draw to the object highlighted. This is a great type of light to use in a space that calls for a bit of drama, a touch of intimacy and the opportunity to walk a bit on the dark side. I would love to use this type of lighting in the lounge areas of my coffee shop.

Suspended Ceiling

Source: Interiors & Sources, September 2010, pg. 48

Source: Luxury Home Interior Ideas (http://luxury-ideas.com/page/10/)

This back lit suspended ceiling creates a dramatic effect. It emanates a compelling glow that draws your vision upward, making you feel like the ceiling truly is floating above you. It is a remarkable effect that will help draw attention to a ceiling that deserves such - an ornate or unusual ceiling treatment, potentially even an elevated or textural wall treatment as in these photos. It does tend to lower the scale of the room as you are much more aware of what is overhead. But, at the same time, it helps create a bit of warmth and intimacy in a space. This would be a fabulous effect for the lounge areas in my proposed coffee shop.

Highlighting an Element

Source: Architectural Lighting Sales, Inc. (www.archltginc.com/)

Lighting used to highlight an architectural element is an effective tool to use in any space. Many important decisions made by designers are overlooked by the users of the space. In the particular case pictured above, some would think - oh, it’s just a column. But the use of directed light allows the column to become more than a structural element. It becomes a sculpture, a rhythmic pattern to the space. The light allows the column’s materiality to be displayed and draws attention to the perimeter of the space - the contrast between inside an out, interior and exterior, habitable space and nature. I see the potential of this being used to highlight the railings on the second floor of my coffee shop.

Backlit Wall

Architectural Lighting Online - www.archlighting.com

I love the effect that is created by the use of lighting behind a wall or surface, whether that surface is frosted glass, 3Form, etc. For one, it allows you the flexibility to change color based on the intended use of the space, décor or mood. It also helps change the way the space feels…to me the space becomes much more sophisticated and interesting. As in the photos above, it can also highlight architectural features (the alcove), create sleek surface textures and even direct you through the space as your eyes follow the light. I think this type of lighting is even more successful in spaces of smaller scale as it allows you to become more engaged with the effect. I may use this treatment in the second floor gaming area of my coffee shop as well as behind the logo wall at the coffee shop’s entrance.

Clerestory Windows

Source: Architectural Lighting Associates - ALA, Inc. Online Gallery  (ala-inc.net)

In my coffee shop design, the main coffee bar and table seating are housed in an open, two-story space. My initial though was to utilize one large window, almost the size of one of the walls, to add daylight into the space. However, after viewing this photo, I much prefer the effect of the clerestory windows. For one, the clerestory windows allow daylight into the space without the risk of an overabundance of light and glare. It also increases the scale of the room which I believe adds a bit of drama and capaciousness to the space while still allowing you to connect on a more intimate level with the objects that directly surround you. I also enjoy the effect of that the three chandeliers have on the large space. I feel that using three smaller lumieres helps make the room’s intended grand scale more manageable and also helps diffuse light more evenly.

Dark But Inviting

The Northside Grille is a great little neighborhood restaurant and bar. It is definitely a feel-good kind of place – very neighborhood-like and very local. It is nothing fancy, and it feels good just to there.

                                               

Strangely enough, for a place so inviting, the interior is rather dark. The large front windows are covered in mini blinds which, even though usually in open position, do keep out some of the natural light. The dropped ceiling is low and painted a dark color. There is a black chalkboard wall and walls clad in brick. This dark materiality is paired with a lighter ceramic tile floor and fun vibrant paint, but the low dark ceilings and lack of natural light really do take their toll on the place.

Working with what they were given, it seems that the owners of Northside Grille made the structure of the location work in their favor. They created a cozy, familiar-feeling ambiance with their lighting choices. Simple pendants which give off a warm glow hang over the bar. Track-like lighting is used over major walk-ways for ambient lighting but can also be directed toward the wall to highlight the rotating art displays. An antique fisherman-style sconce is placed on the wall of each booth, adding an intimate and comforting touch.

The outside patio echoes much of the same feeling that one finds on the interior. A wooden trellis spanning the entire area of the patio creates a faux ceiling, lowering the scale of the space to create the same intimate feeling that is found  inside. In the daytime, the way the sunlight plays off this wooden architectural feature is really magic in itself. And the fun tin string lights overhead in evening cast the same warm glow as the wall scones inside.

Northside Grille is definitely an instance where lack of light makes for an inviting atmosphere. My one recommendation would be to play a bit with the large front windows. I really think they could add something special during daylight hours if given a chance.

Let the Light Shine In

I love walking into a space that, during the day, just doesn’t need artificial light. A space that has plentiful windows, a space that makes you feel the outdoors even when you are in. There really is a delightful feeling when you can sense the comfort and protection of being indoors while experiencing the aliveness that is nature.

One of those spaces is the sun room designed by Williams & Sherrill for the 2010 Richmond Symphony Designer House. The décor and materiality of the space evoke a whimsical beauty and the river views speak magnificence, but it is the lighting in the space just transports you to another place.

Each and every wall is windows…big picture windows overlooking the lawns and river as well as a wall of French doors to the patio and into the foyer and dining room. Transom windows are placed over each set of French doors allowing light to spill into the sun room from outside while letting the light of the sun room escape  into other areas of the house. The designers refrained from using heavy window treatments, just gauzy sheet panels that flank the windows and are center-gathered on the doors.

Awnings are used on the large picture windows to shield the sun room from the harsh light and heat of summer. The room’s skylights have been covered in silver leaf, but do not detract at all…there is more than enough natural light already entering the room.

There is very little artificial light in the room. There are lamps placed on the dining table, desk and side tables that can act as task lighting, but to me, appear more as accent lighting. From the ceiling hang two white decorative chandeliers that operate as ambient light in the evening.

On a sunny day this room is brilliant. But even on a dreary day, this room is pretty magical which is what speaks the loudest of all.

Photos by John Magor and Williams & Sherrill.